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NO!art
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PETER MESECK, born on November 1, 1954, in Berlin, Germany. He was co-founder of the avant-garde group endart in 1981 and opened the studio in the Oranienstrasse (Berlin-Kreuzberg) for the public. His assemblages and Poster-Collages are involved in social reality. Now he is working together with Friedrich Wall. Many shows in Berlin, Germany and Spain.—He died on 06.08.2019 at the age of 65 in Berlin.
2019 IN MEMORY OF PETER MESECK | Salon 36, Berlin-Kreuzberg
2009 ENDART | Etchings 1986 - 1996 | Gallery Geisterbahn, Berlin
2007 NOPOSTER catalog with Friedrich Wall
NOPOSTER with Friedrich Wall | insideout, Brunswick/Germany
2006 DONT KNOW 5% | Kinski Club, Berlin
ZERO COMA NO [Null Koma nix] | Gallery scherer 8, Berlin
2004 AB-NORM together with Friedrich Wall and Dietmar Kirves | Kinski Club, Berlin
HEAVY WEIHTS Show | Groupshow at Clayton Gallery, New York
2003 NO!-ON show | Galerie Berliner Kunstprojekt, Berlin
SOUND@NO!art in BUCHENWALD by German Braindead Trio
NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
